I’m an internationally raised, London-based artist working with photography to discuss post-atrocity memory. I build on research in complex histories to reveal injustices that restrict peace building and healing. Rather than expecting my work to reveal a truth about the past, I see it as a facilitator – presenting suspicions that can open up new conversations.
In my work, the viewer encounters an unintrusiveness that is a deliberate opposition to the raw emotions found in war photography. The absence of emotion and matter-of-factness is my invitation to hear the silences but also to engage personal knowledge and pre-conceptions. The emotion is extracted and guided by the images context, which evolves as time and information progress.
I look to the time passing between the event and the viewer’s experience to reveal ideologies and invisible systems surrounding the work. The images are as carefully constructed as the systematically erased human experience the depicted sites may have inhibited.
IPE at Fox Talbot Museum, Lacock Abbey, 2024.
IPE 164, Museum of Gloucester, 2024.
International Photography Exhibition 164, The Royal Photographic Society, Bristol, 2023.
Sala Salon, Battersea, London, 2021.
Balkans Today; The Present of A Wounded Landscape. Exarcheia, Athens, 2020.
Long Live Southbank, Bermondsey Project Space, 2019.
Offprint, TATE, 2018. (Including panel discussion with Self Publish Be Happy)
Cream '15, Crane Kalman Gallery, Brighton, 2015.
UCA Graduate Show, Rochester, 2015.
Free Range, Truman Brewery, 2015.
Black Box, Medway Photo Festival, 2014.
FORMAT25 2024, Longlist
Athens Photo Festival 2024, Shortlist
Arts Council England funding 2021
Belfast Photo Festival 2021, Shortlist
International Photography Grant 2019, Third place
Nikon/NOOR Academy Masterclass 2018
Metro Imaging Award 2018, Shortlist
Burn Magazine Emerging Photographer Fund 2018, Shortlist
Magnum Graduate Photographer of the Year 2016, talked at Photo London 2016
Source Graduate Photographer of the Year 2015
'Recording New Histories' Discussing my practise and introducing upcoming new work. Broadcast with Prospect Art. https://www.prospectart.org/broadcast-nicholas-constant
'I No Longer Love Blue Skies' By Antar Kuri Gomez. One Work series with Prospect Art https://www.prospectart.org/one-work/i-no-longer-love-blue-skies
Predator/ Protector https://www.scopionetwork.com/blog/2019/9/18/predator/protector-by-nicholas-constant
'Future of Photography', Huck https://www.huckmag.com/art-and-culture/photography-2/next-generation-british-photographers/
Predator/ Protector with interview https://www.photograd.co.uk/nicholas-constant-1
Firn with interview https://www.photograd.co.uk/nicholas-constant
Burn Magazine EPF shortlist https://www.burnmagazine.org/essays/2019/04/untitled-3/
Firn in Vice as part of Balkans Today https://www.vice.com/el/article/m7aq5q/ta-balkania-stis-bitrines-twn-e3arxeiwn
Firn in LiFO as part of Balkans Today https://www.lifo.gr/blogs/almanac/ta-balkania-simera-paron-enos-pligomenoy-topioy
NOOR Masterclass https://www.noorimages.com/nicholas-constant
Dont Take Pictures, Photo of the Day https://www.donttakepictures.com/photo-of-the-day/2020/2/8/nicholas-constant
Firn. International Photogrvphy Magazine http://internationalphotomag.com/nicholas-constant-firn/
ArchDaily, Long Live Southbank https://www.archdaily.com/883405/why-the-restoration-of-the-southbank-undercroft-is-a-landmark-for-both-architecture-and-skateboarding?ad_medium=gallery